Winter family portrait session
There is something about winter and pine trees that I just love! Utah’s forests are a magical place and the perfect location for Winter family sessions.
Utah Engagement session | Snowbird La Caille Salt Flats
This couple’s engagement session was shot on two separate dates to include locations here in Utah that they love! Because they were getting married on an Alaskan cruise, they wanted to include formal images taken in their wedding attire.
We shot their images at Snowbird, Little Cottonwood Canyon, La Caille, and the Bonneville Salt Flats. They are such a fun and adventurous couple, and their engagement session was truly a lot of fun!
Summer family portrait session | Utah family photographer
Summer Wildflowers : Utah Family Portrait Session
This family has been so fun to photograph over the past two years! They are so sweet and always bring bubbles for their children to play with – I love the fun it adds to their session!
Utah Summer children’s portrait session
I love watching these two grow over the years, and am honored to be their family photographer!
Adorable kiddos!!
I love this one… it has an Alice in Wonderland feel to it. This was shot at 24mm, I like to shoot wide in the forest and see the effect it has on the trees.
Antelope Island : Utah Family Portrait Session
I get so excited to photograph family sessions in great Utah locations. Antelope Island is one of my favorite spots, and this is one of my favorite families!
There is nothing like a Summer day at the beach…
Declan 1 week old
Meet 1 week old Declan…
I was contacted by Hearts Apart to photograph Declan’s newborn session.
HeartsApart.org provides photographs of newborn babies born to military personnel who were serving abroad and were not able to attend the birth due to their military obligations.
“HeartsApart.org was created to keep families connected while our military men and women are serving abroad. Through the efforts of our community’s finest photographers, HeartsApart.org provides our soon to be deployed servicemen and women with pictures of their spouses and children. The photographs are printed on waterproof and durable bi-folded cards, which fit securely in their uniform pocket. HeartsApart.org believes that our military personnel deserve and need the memory of their families to carry them through the difficult times that lie ahead.” ~ www.heartsapart.org
It is an honor to volunteer for Hearts Apart, and I’ve met so many great families!
Such a sweet baby!
Adorable! He was so good during his session…
I love to photograph newborns, and have the excuse to bring out cute props like this owl’s nest!
(www.beautifulphotoprops.com)
Declan, I could snuggle you for days you are so precious!
This little cutie will meet his daddy in person this Fall. Sr. Airman Bielick congratulations on the birth of your son, and thank you for your service! Lynsee, you are one amazing mama of 2 handsome boys… keep up the great work!
Photographing Fireworks
Ever wonder how to photograph fireworks?
I’ve always wanted to bring my tripod to a fireworks display, and finally had my chance at a Salt Lake Bees baseball game. We were seated in the front row of the upper deck, which was perfect – I could set up a tripod with an unobstructed view.
Here are my tips for photographing fireworks… Use them as a starting point and experiment with your settings to achieve the look you prefer. Have fun! ~Kari
The key is to have a long exposure and keep the camera steady.
1. Use a Tripod
Longer shutter speeds will not only capture the movement of the fireworks but any movement of the camera itself. The best way to keep your camera still is with a tripod.
2. Remote Release
One way to ensure your camera is completely still during fireworks shots is to invest in a remote release device.
3. Framing Your Shot
Scope out the location early – get a good, unobstructed position. Think about what is in the foreground and background of your shots and make sure you won’t have people’s heads in your shots (also consider what impact you’ll have on others around you also). Take note of where fireworks are being set up and what parts of the sky they are likely to be shot into.
Find Out the Direction of the Wind – You want to shoot up wind, so it goes Camera, Fireworks, Smoke. Otherwise the images will come out hazy. Make sure you are ready to take pictures of the first fireworks. If there isn’t much wind, you are going to end up with a lot of smoke in your shot as the show goes on. The first explosions are usually the sharpest ones.
Watch your Horizons – This is especially important if you’re going to shooting with a wide focal length and will get other background elements in your shots (ie a cityscape). Make sure your camera is level on your tripod.
Vertical or Horizontal? Vertical works well because there is a lot of vertical motion in fireworks. Horizontal shots can work if you’re going for more of a landscape shot with a wider focal length or if you want to capture multiple bursts of fireworks in one shot.
Remember your framing – spend less time looking in the viewfinder and more time looking at the sky. Doing this will also help you to anticipate the right time for a shot as you’ll see the light trails of unexploded rockets shooting into the sky.
4. Focal Length? I recommend using a zoom lens. Wide angle or zoomed in… experiment for variety
5. ISO & Aperture
Set your ISO to 100 – fireworks are bright, and a low ISO has less noise/grain. Set your aperture to f/8.
6. Shutter Speed
Set the shutter speed to Bulb (B) setting. Bulb leaves the shutter open for as long as you depress the shutter release, and it’s a great way to make sure that you capture exactly what you see in the sky because you control when the exposure starts and stops. Hit the shutter as the firework is trailing up into the sky, and hold it down until it’s finished exploding (about 1-2 seconds).
Don’t keep your shutter open too long. fireworks are bright and it doesn’t take too much to over expose them, especially if your shutter is open for multiple bursts in the one area of the sky.
7. Switch off your Flash
If you’re using an SLR, simply lowering the flash and setting the camera to Manual mode will keep the flash from going off.
8. Manual Focus
If you leave your camera set to auto focus the lens will whir backwards and forwards trying to find something to focus on in the black sky and you’ll end up missing a lot of shots.
Set the lens to manual focus and set it to the ∞ (infinity) mark and leave it there. The fireworks will be far enough away that the camera would focus at infinity anyway.
9. Experiment and Check Results
Throughout the fireworks display occasionally check your results, but don’t check after every shot or you’ll miss the show.
When you’re shooting fireworks at night, the aperture controls the brightness of the lights, and the shutter speed determines how long the light trails appear in the photo.
If you want brighter fireworks, open the aperture by making the f number smaller (f5.6).
If the overall photo looks overexposed, make the f-number bigger (f11). Try again until you get an exposure you like.
10. Post-processing—darken the sky for increased contrast
Writing with Sparklers
- Use a tripod and the same settings as with fireworks.
- Practice before lighting the sparkler.
- Instruct your subject to stay as still as possible, only moving their arm to write with the sparkler.
- Have an assistant light the sparkler and step out of the frame.
- Instruct your subject to start moving the sparkler when you say GO and press the shutter – release it when they are finished writing.
- When they are finished writing instruct your subject to stop moving the sparkler so that there isn’t a light trail coming off the word/shape.
- Experiment and adjust settings as needed for more or less light, and shorter or longer trails from the sparkler.